[Read the finished story here!]
That one felt like work.
Dialogue comes much easier to me than prose, so I cheated around my block by making the story in the voice of someone (the parental "we"). It helped a little, but I still spent the first half of each writing session staring numbly at my notebook, wondering why, if in fact writing is "my passion," isn't this more fun?
I talked a bit about fatigue last week, and that certainly contributed. I also set a nice trap for my perfectionist self by basing characters in the story on actual people with giant bodies of work. Again and again, I felt like I couldn't possibly write more until I had done more research. I would resolve to spend that evening reading random selections of Dante and Blake. And then I wouldn't. And then the next day I'd feel underprepared... etc. etc.
One of my teachers in grad school, Carlo Gébler, advised us to do the research after the first draft's done, because too much research at the start can turn into procrastination. He'd make note of the things he'd fudged or simply skipped to keep the story going, and afterwards he'd know exactly what research he needed to do. Until this past week, I'd always subscribed to the opposite theory: immerse yourself in research; take copious random notes; realize that you can't possibly start this story until you've found out about x, y, and z; become overwhelmed; admit defeat; ponder the futility of it all.
This time, though, as with last week, there was no time for my usual self-defeating processes -- I forced myself to work with what I knew (which wasn't much -- Dante wrote The Divine Comedy and Blake wrote Songs of Innocence and Experience, which included "The Tyger") and invent the rest. I also wanted to model the story on another I had read in college about Jesus as a small child in suburban America. Something about how he used to toss the halo around like a frisbee. I could not for the life of me find this story or figure out who wrote it, which was ultimately a good thing, since I had no choice but to let whatever I'd retained from that story inform this one without feeling influenced or intimidated by it.
Anyway, despite all of this (or perhaps because of all this), I think the story turned out well, and with a punchy ending that makes me smile. But please, please, let Week Three be easier...